Chrissy Ricker
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July Professional Development Challenge--Week 2 Wrap-Up

7/14/2018

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Read about the July Professional Development Challenge HERE. You can read the Week 1 wrap-up post HERE.  Feel free to join in!

Two weeks down, and the professional development challenge is almost half-way done! So far I have stayed on track with my challenges for each day.


Here is my wrap-up for week 2:

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​Practice a piece from your library you have never played before.
  • Done! Technically I sight-read—but that counts, right? I attended a presentation by Dennis Alexander back in March about his two new books of nocturnes, and my copies have been sitting on a shelf neglected. So I pulled out book 2 and started playing. I only intended to play a couple of them, but they were so fun I played the entire book! I really enjoyed them—I can definitely hear the influence of Chopin and John Field, but they have that special “Dennis Alexander” touch (for example, there was a nocturne in 5/8). These would be great for a student that has played a few of the easier Chopin pieces but isn’t quite ready for a Chopin nocturne yet.  ​

Transpose the piece you analyzed last week to a new key.
  • Done! Last week’s analysis of Burgmuller’s “Arabesque” (along with the discovery that all the melodic material consisted of just a few five-finger scales) made the transposition easier than I expected. I transposed the piece to every white minor key. (Maybe one day I will be brave enough to try the black key minors! Ha ha!)  

Play all 12 minor scales, cadences, and arpeggios.
  • Done! Like the major scales last week, the minor scales came back to me quickly, too! Although I would like to devote a bit of practice to playing my 3 and 4 octave arpeggios more quickly and accurately—something to keep in mind for future practice sessions.​
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Sight-read 3 new pieces you want to teach this year.
  • Done! I sight-read a few pieces by Randall Hartsell, a fellow North Carolina composer. I have had the pleasure of meeting Mr. Hartsell twice now, and he is not only a wonderful composer, but also just a genuinely nice person.

  • I sight-read pieces from his “Composer’s Choice” collection—lovely pieces that sound contemporary and sophisticated but are not overly difficult and fall under the hands well. I have a student that I think this collection would be perfect for this fall!
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Update your studio policy sheet.
  • Done! I had already updated my policy sheet recently since I implemented a couple of changes that will take effect in August (a tuition increase and a switch to a semester-based schedule). So this task didn’t take too long--although I would still like to draw up a calendar for next semester once I have my fall recital date pinned down (I can’t believe it is time to start thinking about a fall recital date—eek!)

Listen to a Beethoven sonata you have never performed before.
  • Done! I performed several Beethoven sonatas in high school and college, but they were all earlier works. So I decided to look up one of his later sonatas—the Op. 90. YouTube came to the rescue with several performances by world class pianists to choose from. (I wish YouTube had been around when I was a kid!) I chose to listen to Alfred Brendel’s recording because I always enjoy his performances of Beethoven. It is a lovely sonata—listening to the recording I am sure I have heard it performed before. Maybe I should try reading through the first movement for fun?
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List 3 new things you want to try with your students this year.
  • Done! Here are three ideas I would like to try this year—however, I would love to hear ideas from other teachers too!
    1. Create assignment booklets for my students. I have always written my students’ assignments in a blank spiral notebook, but sometimes I feel like I am scrambling to write things down at the end of their lessons. On my to-do list for next week is to create weekly assignment sheets for the upcoming semester. I think this will help me to stay organized, as well as give my students space to check off their assignments as they practice.
    2. Plan a “living composer project” for this year. I want to do a better job at introducing my students to new music by living composers. There is so much great music out there, and thanks to the Internet it is really easy to find information about composers living and working today—and in many cases they are available to contact through Facebook or their websites. I think this is something my students would really enjoy.
    3. Plan a student composer showcase. Many of my students have been composing their own pieces, and I think it would be really fun to plan an event where everyone can share their original compositions. I am thinking either a casual “piano party” or maybe recording everyone’s music and posting it on YouTube or creating CDs.

So that's Week 2! Any prep work you are doing for the fall semester? I'd love to hear from you in the comments!

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"Let's Quest! Volume 3" available in hard copy--and on sale!

7/13/2018

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Just a quick post today to let everyone know that Volume 3 of my popular "Let's Quest!" series is now available to purchase in hard copy! (If you aren't familiar with the "Let's Quest!" series, it features original solos and duets inspired by video games, anime, sci-fi, and fantasy.)

And best of all, all of my publications at Piano Pronto are on sale for 30% off through Monday, July 16th! Now is a great time to stock up for the fall. Click on the pictures below to see and hear the music from any of my collections--they are all on sale!


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Easy rock solos with optional teacher duets!
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Pattern-based pieces for late elementary to early intermediates!
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Early intermediate rock and pop solos!
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Christmas medleys for early intermediates!
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Intermediate rock and pop solos!
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Medleys of Christmas and Classical pieces for intermediates!
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July Professional Development Challenge--Week 1 Wrap-Up

7/7/2018

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Read about the July Professional Development Challenge HERE. Feel free to join in!

Week 1 is done, and I completed each challenge! It was nice to take a little time each day to do some professional development--although to be honest there were a couple of challenges that were completed at 10 pm in my pajamas because I procrastinated. Oops! I will try to manage my time better in week 2.

Here is my wrap-up of week 1:
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Review one piece you have performed in the past.
  • Done! Although, I feel like I may have cheated a bit on today’s challenge, because I reviewed several short pieces I performed very recently—in April, in fact! These pieces were duets, selections from “Carnival of the Animals” (Saint-Saens), “Dolly Suite” (Faure), and “Mother Goose Suite” (Ravel). Even though these pieces weren’t too rusty, it definitely made me aware of how much my practicing has slacked off since April’s concert. I definitely need to make daily practice more of a priority!​

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Do a harmonic analysis of an easy piece in your library.
  • Done! I chose to analyze “Arabesque” by Burgmuller, a piece I have taught many times before. Since this is an easy one, I analyzed not only the harmonies but also the form, the phrase structure, and the melodic patterns. Although I have taught this piece many times, I had never noticed that every single melodic pattern is based on one of 4 five-finger scales: A minor, D minor, C major, and E major. There are also a couple of V of V harmonies that I should be using as teaching points with my students. I definitely learned some things that will help the next time I teach this piece.

Play all 12 major scales, cadences, and arpeggios.
  • Done! I can’t remember the last time I played in one sitting all the major scales and arpeggios in progressive rhythms up to 4 octaves. Thank goodness for muscle memory! I guess I feel about playing scales the same way I feel about exercising—I don’t always feel like doing it, but I always feel better when I do! Maybe I should brainstorm some ways to make practicing scales more exciting for me and my students this coming year….
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Research a new composer you have never taught before.
  • Done! Since today is Independence Day here in the USA, I decided to research a few unfamiliar American composers. I turned to a trusty studio resource—Jane Magrath’s “The Pianist’s Guide to Standard Teaching and Performance Literature” and read through the 20th Century Literature section of the book. One composer that stood out was Seymour Bernstein; I think his two sets of pieces entitled “Birds” might be a great choice for one of my students this year who has written a few bird-inspired compositions. Another interesting character was Virgil Thomson, who wrote hundreds of “musical portraits;” his subjects would sit for him, as if posing for a portrait, and Thomson would write a piece that reflected the subject’s personality. Interesting stuff!

List 3 ways you can market your studio in the coming year.
  • Done! This is a topic that has been on my mind recently because I have a few gaps in my schedule for the fall that I would really like to fill. Here are my ideas (but I would love to hear from other teachers what they have done too!):
  1. Let my existing families know I have openings for new students—especially those with siblings or those that could extend to a longer lesson. I find the most reliable and committed new students are those that are referred to me by the students I already teach. I think this would be a great place to start marketing.
  2. Email a few of my fellow teachers and let them know I have openings. I have referred students to these teachers many times when my studio was full; I am sure they would be happy to return the favor if they have students they can’t place in their own schedules!
  3. Investigate the Nextdoor app. A teacher friend of mine recently told me that he received 4 inquiries from new students in one day after a student’s family posted his information on the Nextdoor app for their neighborhood. This might be a great way to market for myself!

Listen to a piece by an unfamiliar composer.
  • Done! Following up on my challenge from Wednesday, I listened to a couple of Virgil Thomson’s portrait pieces for piano solo. While I listened, I read a bit more about his compositional process, and how he incorporated into the composition not only the personalities of his portraits’ subjects, but also events that happened as he was composing the music…for example, the time that Picasso dropped by as he was working on a portrait! I’d love to listen further to Thomson’s works when I have more time this summer.  
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Read a blog post or article about a pedagogical topic.
  • Done! I read an interesting article by Wendy Stevens of ComposeCreate.com about improving your studio by finding your “hedgehog concept.” This concept is a combination of what you are most passionate about teaching, what you do well, and what drives your “economic engine.” By focusing on these things, and letting go of the things that aren’t working for you, Wendy suggests you can move your studio from “good to great.” I think the article makes some great points. I would add that I think it is also important to maintain a balance between the “tried and true” techniques that work for your studio and learning new ideas that help you to continue to grow and stretch as a musician and teacher. You can read Wendy’s article HERE (and check out the many other great resources on her website!)

So, that is it for Week 1! What are your thoughts on this challenge? I would love to hear from you in the comments!
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    Chrissy Ricker is a pianist, teacher, and composer from North Carolina. These are her thoughts on teaching, composing, and all things music.


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